Here is the first of last two full length albums from Polish band Iugulatus. This is the band's sophomore album, after the debut one and an EP. They changed their name to Architect Of Disease after their drummer left, but aren't going to release these readily recorded albums under the new monicker. I do not know, if their style changed much or not when this name change took place, but Iugulatus played occult and pretty individualistic sounding black metal.

The band had some real strange riffs and melodies. This otherworldly side of the band's guitar work steams of evil atmosphere. The band clearly sought these different, weirder things to make their music stand up from the crowd. They certainly managed at it, but the outcome wasn't always positive, as some of the stuff is rather annoying to listen to. But I'd give them points for trying it out, at least. The riffing and the melody work also have aspects of barbarity and elegance, so the sensations the band emit are diverse yet well connected. There are both trebly as well as heavier fingertip-shortening shredding. Guitarist Markiz also plays in Deep Desolation, and his style is easy to spot out here: He's generally very versatile. I am sure his guitar partner Matys also is.

The album only features five songs. Two songs lasting 11 and 15 minutes are surely multifaceted, but maybe too long for their own good. They certainly aren't easily remembered from start to finish. Long songs brings me to Polish band Christ Agony. There are certain atmospheres and styles these both bands possess. Plus, the vocals of Balrog remind me of Christ Agony's Cezar. Low, throaty nemesis style sounds visceral and purulent, yet inhuman. Let's get back to music now. The pace and tempos change from blast beat to slow, ritualistic sway. Drummer Wojtass surely offers a big array of drum kit sodomy. Morbid's bass has a big role, too. He offers more than mere following of other instruments.

The production bangs, cracks, booms and generally is very organic. Still the elements of the compositions, the instrumentation and the vocals are nicely brought forward. This music would suffocate from plastic production (well, what wouldn't?). It's great to sense the movements and emotions of the personnel just by listening and not seeing. Very, very lively sensations indeed. One of those albums, that should be listened in darkness.

Admittedly at times the music is patchy, but it is also inviting, if you are into occult (black) metal. 'Satanic Pride' is made with true love (or hate?), and it pulses simultaneously with human soul. If you aren't into this kind of music, who knows you might get converted by this. Overall, a strong effort, this.

Rating: 7½ (out of 10) ratings explained

Reviewed by Lane
02/13/2013 12:53