Stardate 11/28/2024 06:34 

It fathoms me as to why this release didn't get the praise it deserves. Galder, the main man behind the band fueling out the vocals, guitars and synthesizers rips it up on all departments. The rhythms seem to fall into place in every way. Nothing bad to say about the album. It features guitar riffs that are a combination of bar chords galore fitting the music quite well alongside aggressive tremolo picked riffs with blast beating drums. The music on here is entirely original sounding and well keyed in synthesizers that augment the guitar. Sounds like Galder tunes to standard on here, but I could be wrong.

The vocals are quite unique and no variation whatsoever, though that doesn't mean they're bad, it just means that there's no variety in them. It's pure harsh throat outputs with riffs that are also wholly original and I would conclude that this release is better that 'The Pagan Prosperity' (1997). That would be because of the production quality plus the progression of the band, mainly Galder getting better with his musicianship. Don't expect anything but brutality on this melodic black metal album. I'd say that the 8 tracks here there is no boredom or monotony.

Guitara are gripping here and the synthesizers help augment the melodic black metal riffs. They don't drown out the music whatsoever. The production sound is way better than 'The Pagan Prosperity' and the music is catchier, at least to me that is. I think that Galder really improved dramatically since Old Man's Child's debut. He has not cashed in like other bands, he's still producing albums that are given top notch ratings. I'm eager to get more of their releases since it seems as though fans of this melodic black metal band have been giving each succeeding releases high ratings.

I would have to say that I fully enjoyed the music on here. It's aggressive, original, catchy, memorable, triumphant, and amazingly played out. I think that the only thing that should have been left out are the brief lead guitar. All of the rhythms are awesome though especially the melodic riffs combined with the bar chords. The synthesizers make the release sound darker. Galder's vocals seem to have a tad bit of echo to them which pans out perfectly with the music. There's a lot of blast beating on here mixed with various other tempos. Aggressive as I've said and entirely played with precision.

If you're into bands that also play melodic black metal like Naglfar, I'd say that you'd also conclude that 'Revelation 666: The Curse of Damnation' is well worth picking up. Amazing that they never changed their style of music over the years. Galder has been in other bands such as Dimmu Borgir. But I think Old Man's Child stands alone in it's genre and plays melodic black metal that is totally and utterly triumphant. Even though this release dates back to 2000, I still give it praise and dishes out music that's totally awesome. No cashing in, just pure devastation to the eardrums. Pick this one up!

Rating: 8½ (out of 10) ratings explained

Reviewed by Death8699
02/26/2013 00:01

Related websites:
Century Media Records website :: www.centurymedia.com

« back

Old Man's Child
(Norway)

album cover
Revelation 666 - The Curse of Damnation
1. Phantoms of Mortem Tales (05:35)
2. Hominis Nocturna (05:22)
3. In Black Endless Void (04:27)
4. Unholy Vivid Innocence (05:06)
5. Passage to Pandemonium (04:13)
6. Obscure Divine Manifestation (04:20)
7. World Expiration (06:06)
8. Into Silence Embrace (05:02)
= 00:40:11
Century Media Records 2000

Info on this release

Band Biography