Stardate 11/28/2024 08:52 

What an atmosphere, deranged lunacy to the morbid settings that come around when listening to this release. You'll get a bulk of an hour's worth of darkness seemingly to be visible. As a usual mild tempo of even slower guitars, musically that peaks as its' aura is deeply tranquil, yet quite alluding to death's door. A mixture not only of just heavy duty chunks of guitar work, it's filled with other brazeningly moderate musical concoctions of piano work alongside spoken word overtures that don't stagnate, they keep the vibe at their unique genre. A very well produced release where everything just is in the right place, the way a "gothic doom" sound that blissfully is great to "chill" to.

The female vocals add a little variety to just heavy throat, plus the lyrics fit deeply well into this sorrowful chain of music that needs more followers. Not enough people know about this band and their blitz with frayed ends of insanity regarding the tonality of their releases. You get it all here, except the fact that their focus is not aggression, it's an open door to the gates of eternity. Such a well played release with unique sounds coming from all over the recording. The guitars focus mainly on such moderate blends of chords and melodies which are wholly original, never copping out always seeming to be so "them."

A sure band that invests in sounds that are so mild, it makes the mind seem at ease where the darkness is vivid with lost sanity in the lyrical compositions. Not only do they invest in just a moderate form of doom, but also take pride and write about such morbidity with creativity mixed with the music that devours the souls that are lifted into eternity. I only have this one and their 2011 release 'A Rose for the Apocalypse', but both are exceptionally well composed with death as their venture into existence gets spewed out of your speakers hearing only that utter words of blatant intensity. There is so much to this piece of work that holds true to their own sound, missing nothing, hearing everything that is death-like.

An album that requires no expectations of anything but just their own unique metaphysics in regarding to their artistic sense of demonic love of true doom and a presence of otherworldly encounters of such divine intervention. You get it all here, the spoken words, the occur of hoarse vocal outputs, female voice present in moderation, tempos that are so desolate they seem to touch the soul with tranquillity and music that is baffling to the listener because of it's sole presence of just emotion, driven to the essence of doom with destruction rampant. The release definitely posed capitalizing on originality in songwriting occurs.

If you're into some really mellow metal that's premonition is that of darkness when listening to, 'Arcane Rain Fell' holds the vivid truth in their essence living up to the stock of sheer morbidity with music that's spellbinding in metal that is great to listen to when you want a break from something that is truly an epic hour of 8 tracks flowing through the forests and drastic pillars of death lurking within their own essence of it all on here. I'd say from all I've heard from this band, this one is their best one. But on all to which they've released in album form, they dominate with such an atmospheric deathly doom of dreadery. Own it, you won't regret it at all!

Rating: 9 (out of 10) ratings explained

Reviewed by Death8699
09/22/2013 20:03

Related websites:
The official Draconian website :: www.draconianofficial.com
Napalm Records website :: www.napalmrecords.com

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Draconian
(Sweden)

album cover
Arcane Rain Fell
1. A Scenery of Loss (09:11)
2. Daylight Misery (05:31)
3. The Apostasy Canticle (09:51)
4. Expostulation (02:05)
5. Heaven Laid in Tears (Angels' Lament) (06:54)
6. The Abhorrent Rays (05:32)
7. The Everlasting Scar (06:00)
8. Death, Come Near Me (15:22)
= 01:00:26
Napalm Records 2005

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honorary mention